09
Dec
When Philip Pullman magicked up Spectres on the pages of The Subtle Knife, he did it without giving a thought to the VFX artists of the future. If Pullman had considered the puzzle he was setting the people tasked with depicting creatures so diaphanous that “in some lights, they were hardly there at all,” he may have had a rethink. Instead, not knowing that his story would be turned first into a feature film and then a stunning TV adaptation, he described monsters that were “a rhythmic evanescence, like veils of transparency turning in a mirror.” Tricky. “In literary form, it’s…
