29
Sep
For more than half a century, the vernacular around crime and cinema has changed. Many of the films and even television series that are responsible for this shift have a method to their madness. Whether it is the majestic gravity of the Corleone family or the shiny shoe slickness of Ray Liotta’s Henry Hill, these characters inhabit stories designed to reveal the seductive power of the criminal underworld that lures wayward souls to damnation. (Or, in some cases, the filmmakers just think Al Pacino looks really cool rocking a grenade launcher.) Yet in all these years of layering new dimensions…