14
Nov
By the end of 1994, two filmmakers pointed to the future of cinema. One was Quentin Tarantino, whose sophomore feature Pulp Fiction made high-art out of lowbrow exploitation. The other was Kevin Smith, who famously funded his debut Clerks entirely on a credit card. With its vulgar dialogue and focus on the working class of the service industry, Clerks announced Smith as an exciting new talent, one who could capture the voice of a generation—Generation X, in particular. Decades later, both Tarantino and Smith continue to work in the industry. But while at least some critics and audiences greet each…