28
May
Maren Ade’s parent-child comedy is a triumph, while Asghar Farhadi’s domestic suspense film doesn’t match his bestI am writing this week’s column in the balmy rosé-and-Nurofen glow of the Cannes film festival, where Pedro Almodóvar’s jury is about to dish out its prizes. If things go as they usually do, critics will feel alternately vindicated and perplexed by the winners, and a masterpiece or two will go entirely ignored and be just fine anyway – just ask Toni Erdmann (Soda, 15). This time last year, Maren Ade’s ingenious, elastic twist on the parent-child comedy earned the most ecstatic reviews of…