13
Aug
Forty years ago this summer, a perfect storm of moviemaking elements came together with almost supernatural precision: SNL alums like Dan Aykroyd and Bill Murray at the height of their popularity; director Ivan Reitman and co-writer Harold Ramis at the peak of their creativity; unexpectedly innovative and convincing VFX developed by Richard Edlund on a budget because ILM was too busy; and a weathered and weary New York City that, still a decade out from “urban renewal,” proved a perfect backdrop for a comedy about working stiffs going into business. All these elements and more seemed to capture lightning in…