31
Aug
By the time Sam and Frodo finished their 14th and final ending in 2003’s The Lord of the Rings: The Return of the King, the movie business had changed forever. Fantasy films went from the domain of bookish nerds who debated the merits of Tom Bombadil’s dancing to something with mass appeal. The same was true of Harry Potter, back when J.K. Rowling was credited with saving the literacy of Western youth and not persecuting trans folks, and even Shrek, with its winking approach to fairy tales. The success of these franchises taught Hollywood that fantasy was a profitable genre…