20
Mar
The film that Disney’s Snow White remake is, and the one it so clearly wants to be, are on simultaneous display in the scene where the title character first reveals her trademark colors. Upon a sunset-drenched hill far afield from the palace, Rachel Zegler is at last encased in the red, blue, and white ruffles which looked so charming nearly a century ago on the hand-sketched page. Beside her a huntsman completes the tableau. It’s a live-action recreation of an exquisite composition from the first animated feature Walt Disney ever produced. If you squint, some of the aspirations that director…